- Free Max for Live DJ Effect “Pseudo Scratch”. A lot of people use Ableton Live for DJing. If you also have Max for Live, you can now use 'Pseudo Scratch' to simulate scratching. It was created by Akihiko Matsumoto, who has more interesting Max for Live devices available on his website. Download 'Pseudo Scratch' for free.
- Mar 20, 2015 I have neither, and frankly, I have no plans to buy the gear and learn the skills. What I do have is a set of free Ableton Live Effect Racks that come pretty close, and I'd like to share those with you. Free Download: Vinyl Scratch Free Ableton Live Pack #119.
- Ableton Push is the revolutionary new electronic instrument for EDM that let's anyone make a song from scratch. Ableton Push fits in your backpack and is perfect for those familiar with Ableton Live. This is the way to produce Electronic Dance Music.
Serato Scratch Live users have support to download and use Serato Remote - Serato’s first official App for iPad®. Designed to compliment an existing Scratch Live setup, Serato Remote will connect seamlessly to your Serato laptop software and work with all supported Scratch Live hardware. A hang is when Live freezes indefinitely and the only way to resolve it is to force quit; Step 3 - Live crashes on Launch Problematic Plug-ins. Certain plug-ins may cause Live to crash at launch. Press and hold the ALT key, then launch Live - this will temporarily disable Live's initial plug-in scanning. Oct 20, 2014 Using the crossfader creatively also adds more rhythmical patterns to your scratches. If mastering this seems too daunting to start with, there is a workaround in the form of Ableton’s clip automation. By using a dummy clip in Live, you can draw volume envelopes beforehand to automatically act as the crossfader while you scratch live.
Technology has had a radical impact on the way we make music today, taking the focus away from big recording studios with hundreds of thousands of dollars in equipment in favor of a 13-in Macbook Pro loaded with the right software. Rising hip-hop producer Mr. Carmack sums it up perfectly with this tweet:
Living in an age where most SSL boards are just big laptop stands
— MR. CAR/ACK (@mrcarmack) January 12, 2016
Most recording studios today run a software called Pro Tools, a powerful program that is great for classic recording, mixing, and mastering jobs, but falls a little short when it comes to the demands of today’s musicians. Enter Ableton Live, one of the younger DAWs in the game, which has already garnered a huge following among musicians for its quick workflow, powerful features, and live performance mode. To help shed some more light on the Ableton-craze, we’ve picked out 5 amazing producers doing groundbreaking work
Diplo
Diplo‘s work in the dance music world is all over the place, from his solo work, to collaborations with Skrillex as power-duo Jack Ü, and Switch as the group Major Lazer, not to mention heading up indie label Mad Decent. His productions first started gaining notoriety in 2007 after he produced “Paper Planes” for MIA, but since then he’s had numerous hits, most notably 2015’s “Where Are U Now“, a collaboration between Jack Ü and Justin Bieber, and “Lean On“, the lead single off of Major Lazer’s Peace is the Mission.
It’s a real writer’s program. One good thing about not reading any manuals or anything is that you’ve gotta play all day with it. I just like to DJ and scratch shit up. I love making straight-up 8-bit, nasty Nintendo sounds.
Henrik Schwarz
Also a DJ, producer, and remixer, among a slew of other things, Henrik Schwarz has been making beats and rocking dance floors since 2002. He has also branched outside of the techno world to collaborate with famous pianist Bugge Wesseltoft for an album, Duo, and live performance that saw them grace the stage of Jazz Festivals and Concert Halls around the world.
Henrik uses Ableton for both production and performance, though sometimes there is little difference between the two for him, and he relies heavily on software for all of his work. He’s even built a Max For Live plugin, the Schwarzonator, to help him stay in key. Be sure to catch him at this year’s Together Boston Festival!
Flying Lotus
A legend of the LA Beats scene, FlyLo might once have been seen as the second coming of Dilla, but his wild and exploratory concept albums have proven that he has his own unique character to bring to the jazz, hip-hop, and electronic music worlds. His genre-traversing music has earned him the praise of musicians like Herbie Hancock, and has helped to push the Low End Theory to international recognition. On the topic of Ableton he has this to say:
I’ve also just really fallen in love with making music again. It feels so new to me, especially because I switched to using Ableton. I feel like I’m finally in a position where I can make things almost as fast as I want to; I can move really quickly, and it’s really inspiring.
Giraffage
Not too far from Flying Lotus, Giraffage grew up in the San Francisco Bay area making bootleg remixes in his bedroom, but his personal project blew up after two self-released albums. He now lives the bedroom producers dream, releasing music on Fool’s Gold and Dim Mak, and playing festivals worldwide (including this year’s Together!). He uses Ableton for both production and performance, as you can see in this video of him performing his track “Moments” while in the car:
I’d say probably 90% of the melodies that I do write have started out as just me jamming around, and then after the fact I go in and mess with the MIDI notes inside of Live. I sometimes spend way too much time just jamming out though.
Skrillex
Live Scratch Halt Affect Ableton Free
Yes, the Almighty US Dubstep Titan uses Ableton exclusively. Skrillex grew up in Northeast LA and rose to fame as the lead singer for post-hardcore band From First To Last, before leaving to eventually drop his Scary Monsters and Nice Sprites EP that would kickstart his astronomical DJ career. He is known to use Operator, Ableton’s FM synth, for some of his characteristic monster bass sounds, as well as Native Instruments’ Massive and FM8.
His setup consists of a Macbook Pro running Ableton Live and a few VSTs, two KRK monitors, a Focusrite Saffire interface, and an Alesis Midi controller. In addition to praising Live for its synths, he’s also said that its workflow is incredibly intuitive:
“I think, for laptop producers especially, it’s just so intuitive in the box. Everything is laid out and you don’t have to go searching for things like automation or plug-in parameters – in fact, all the things that are really hard to do in other DAWs. Ableton’s just very fluid and quick.”
And for anyone wondering how he does those incredible vocal chops…
I use Melodyne for formant stuff and basic pitch, but then I’ll print a whole line of audio. To be honest, for all my detailed cuts, chops and actual lines I’ll just basically take my vocal or someone else’s and process it through Melodyne in a certain way. All the stylistic treatments I do then all come from audio slicing and transposing in Live.
The reasons all these incredible musicians use Ableton, are the same reasons why we teach it in our music production program! Wine hq mac install. Watch some of our tutorials made by our talented instructors on our Youtube channel, then come by the studio for a tour! Contact us to schedule an appointment.